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John Ratzenberger, Pixar's good luck charm, on Up, Bugs and Toys 3

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P.T. Flea in A Bug's Life

John Ratzenberger told SCI FI Wire that he's thrilled to be Pixar's go-to guy and good luck charm; the former Cheers co-star has provided a voice for every Pixar animated film from Toy Story to the upcoming 3-D animated Up.

"They say, 'Oh, we've got such-and-such film coming up. We haven't figured out your part yet, but we'll let you know,'" Ratzenberger said. "I just say, 'OK.'"

SCI FI Wire spoke to Ratzenberger by telephone last week, in part to discuss Up, which opens nationwide on May 29, but also as part of Disney/Pixar's promotional push on behalf of A Bug's Life, which made its Blu-ray debut on Wednesday. Ratzenberger provided the voice of P.T. Flea in the acclaimed film, which was originally released in 1988 1998. Following are edited excerpts from our exclusive interview with Ratzenberger.

Let's start with A Bug's Life. How fondly do you look back on that as a film and as an experience?

Ratzenberger: Well, P.T. Flea is my favorite character, of all the characters that I've done. P.T. Flea was just so unpredictable and nuts, and in real life I always get a kick out of those kinds of character, people who just go into a rage for [no] explicable reason. He was always on edge. His blood pressure was always way over the top, and everything that he did was done in a panicked state. So it was a lot of fun to play him.

The Blu-ray edition of A Bug's Life should be great to look at ...

Ratzenberger: For the people that are interested in such things, [co-director] John Lasseter said that if you watch it in Blu-ray you'll see it as they see it at Pixar. It won't lose anything in the generations, so you'll see it the same way the animators see it, right in the kitchen there.

You're back now in the latest Pixar film, Up. What interested you about Foreman Tom as a character?

Ratzenberger: I actually did that in real life years ago. I wasn't a foreman, but I was a house framer. So I'm no stranger to hardhats and lunchboxes.

ToyStory2_ratzenberger_hamm.jpg

Hamm

Some people consider Up a daring project for Pixar, since it's focused on a human [Edward Asner], and he's nearly 80 years old, plus it's very different styles of animation and even comedy. Your thoughts?

Ratzenberger: I don't see it as a risk, because I saw the film last week and ... bring Kleenex. You're going to be teary-eyed in the first five minutes. What they've done is they've gone back to the original Disney method of making films from the heart. It doesn't make any difference how old you are; if a film is from the heart, then it's going to touch the heart of the audience. It sure worked for me, anyway, and the people I was with. I think they have another winner.

Toy Story 3 is next, and you're back as Hamm. What have you done for that so far?

Ratzenberger: I have been in three or four times already [to record dialogue]. To be an iconic piggy bank, what a thrill. I've got more action figures, I've been told, than anyone else in Hollywood because of all my Pixar adventures, and the one they did of me [as Major Derlin] from The Empire Strikes Back. The story, ... I can't tell you the story, but they've done it again with the story for Toy Story 3.

What else are you working on at the moment?

Ratzenberger: I've been doing a lot of traveling on behalf of my foundation, Nuts, Bolts and Thingamajigs. We're trying to get vocational training back in schools, and we're starting to pull together some legislation that state representatives can use to get their states to teach kids how to use their hands again. Everything we do every day, everything we are as a culture, it all starts and is all based on someone's ability to put a nut and a bolt together.

We're running out of those people, because we haven't been showing children how to build things, maintain things. So what I'm about now is being a Paul Revere and warning people that if we don't move now, then in six to 10 years we're going to hit an industrial tsunami because we're going to have no electricians, carpenters, welders and people like that.

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(6) COMMENTS

Rick:
I don't consider A Bug's Life to be pixar's weakest.....their 2 weakest to me are Ratatouille and Wall*e. obviousl...More »


Comments

By Mr Cinema at 8:17 AM ON 05/21/09

"originally released in 1988" Um, i think there's a mistake there.

By Hiatas at 11:51 AM ON 05/21/09

Not since Nero changed the timeline... ;-)

By Justo at 12:00 PM ON 05/21/09

Ha, good one Hiatas.

I think that A Bug's Life is Pixar's weakest film by far. Seems like most agree too considering it's the most forgotten one of their films. Andrew Stanton is their best director, Finding Nemo and Wall-e have to among the best films ever made. Though Brad Bird is just brilliant, The Iron Giant is one of my personal favorite films. This is all just my opinion of course.

By Mischa at 2:21 PM ON 05/21/09

Justo: we'll have to agree to disagree on Bug's Life... it is easily my favourite (although that might be because my Son had it on permanent rotation for a year or so when it came out on DVD)

I feel that they lost their way a bit with endless repetitions of the 'buddy' movie theme, and Cars left me cold.

I was pleased with Walle as a departure, but it fell into Pixar tropes when it got on-board the liner...

I'm hopeful for UP though...

By Blue at 8:39 PM ON 05/21/09

While I do consider "A Bug's Life" on the lower end of the Pixar scale (which is still above and beyond most animation films and films in general), I have to respect it even more for its ballsy take on Kurosawa's "Seven Samurai." Old Hollywood saw the film and said, "Cowboys!" The Weinsteins, for reasons beyond my comprehension, have seen it and said, "Modern mercenaries" (who apparently are willing to fight for food while still being a complete gun for hire?).

But not Pixar. No. They see Kurosawa's masterpiece and say, "BUGS!" And then go further and say, "CIRCUS bugs!" Yeah, buddy.

By Rick at 12:50 AM ON 05/30/09

I don't consider A Bug's Life to be pixar's weakest.....their 2 weakest to me are Ratatouille and Wall*e. obviously both were visually brilliant as always, but Ratatouille was ruined for me by the whole pathetic puppetry angle, and Wall*e was just a mess from beginning to end story-wise.


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